AES+F is an artist collective which gained worldwide recognition at the 52nd Biennale di Venezia in 2007. For more than a decade, works by AES+F have been showcased in signature festivals and biennial exhibitions of contemporary art around the world. Their website is a hypnotizing work of art in itself, with ever-altering movies that make you stop and stare. Whether you make one of the best coffee within the office, have a set of individually named cacti, sell your hand-painted T-shirts on-line, or simply take awesome iPhone photos, you’re an artist.
They study to know and honor individuality in whatever form it appears. The fountains of artistic exercise are found and launched. The free individuality which is the supply of artwork is also the ultimate supply of artistic growth in time. Art is the complement of science.
This should on no account be taken as a inflexible scheme, however. Even inside one form of art, motives may range widely; thus a potter or a weaver could create a highly useful work that is on the identical time beautiful—a salad bowl, for instance, or a blanket—or may create works that don’t have any purpose past being admired. In cultures such as those of Africa and Oceania, a definition of art that encompasses this continuum has existed for hundreds of years.
It’s already here. It’s inside every thing. You do not have to go away your planet to find it.
In the material of house and within the nature of matter, as in a great murals, there is, written small, the artist’s signature. Standing over humans, gods, and demons, subsuming Caretakers and Tunnel builders, there’s an intelligence that antedates the universe. Art isn’t the possession of the few who’re acknowledged writers, painters, musicians; it is the authentic expression of any and all individuality. Those who have the reward of artistic expression in unusually giant measure disclose the which means of the individuality of others to these others. In taking part in the murals, they turn into artists in their exercise.
We take it without any consideration that in conventional arts and tradition an artist develops his talent and aesthetics by imitating a master or by repeating a motif. The Japanese word “nazorae,” which implies simulation or transformable imitation, sums up the quintessential energy of Japanese traditional artwork to achieve final beauty. The work of art should seize upon you, wrap you up in itself, carry you away. It is the means by which the artist conveys his passion; it is the present which he places forth which sweeps you alongside in his passion.
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But when it comes, it’s a spirit hovering with cool wings, blessing us from least to biggest, in accordance with our powers; a spirit deathless and diversified as human life itself. “Collective artwork,”… is not a person “leisure time” occupation, added to life, it is an integral a part of life.